Hexagram 47 · King Wen order

No. 47 Oppression

泽水困 · Kùn · Water under Lake

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“The water has drained out of the lake. Keep your words few and your conduct steady.”

Lower trigram ☵ Water 坎 — depth & steady flow

Upper trigram ☱ Lake 兑 — open exchange & shared ease

Trigram: a three-line symbolic figure that forms one half of an I Ching hexagram.


Introduction

Below the lake there is water, yet the lake itself is empty. Oppression pictures resources spent and room closed down.

In practice, this names a stretch of real constraint. Cheerfulness is not required; steadiness is.

The judgement

“Oppression. Success. Perseverance. The great man brings good. No blame. When one has something to say, it is not believed.”

In plain words: the constraint is survivable, persistence is what carries it, and meeting an able person helps.

Read it as a note about credibility. Words carry little weight here, so conduct tends to do the talking.

Core themes

  1. Words count for little here. Conduct counts for more.
  2. Steadiness through exhaustion tends to be the whole task.
  3. The constraint is real, and it is also temporary.

Line-by-line overview

Six lines, read bottom to top — matching the figure above.

Each line describes one stage in an evolving situation. Line 1 marks the earliest, foundational beginning; line 6 shows where the pattern has run its course. Open a line to read it.

Line 1 初六
Sitting under a bare tree — three years of seeing nothing

You are stuck in a bare spot with no shade.

The old line tells of a dark valley and of seeing nothing for years.

Tiredness this deep is often remembered badly later.

Line 2 九二
Oppressed amid meat and wine — having plenty, yet hemmed in

Here the surroundings are comfortable while the person is not.

The old line says offering is called for, and that setting out brings difficulty.

Constraint that looks like comfort from outside tends to be harder to explain.

Line 3 六三
Leaning on stone and thorns — home is not a refuge either

At this level support is sought in the wrong places.

The old line describes leaning on thorns and returning home without seeing a wife.

Grabbing the nearest prop tends to add injuries rather than prevent them.

Line 4 九四
Coming quietly in a golden carriage — humiliation, but it ends

Here help moves slowly, and the old line admits the wait is humbling.

The ending is still reached.

Slow assistance tends to arrive later than pride would prefer and sooner than despair expects.

Line 5 九五
Cut nose and feet — joy comes softly, offerings help

At the centre the constraint has become painful and personal.

The old line says relief arrives quietly, and recommends offerings.

Patience during humiliation tends to be what gets people through it.

Line 6 上六
Bound by creeping vines — going brings good

At the top you are tangled rather than crushed.

The old line says moving is what brings regret to an end.

Cutting one strand at a time tends to work when nothing can be cut at once.

Summary

Read as a whole, this figure asks you to economise. Save words, keep conduct steady, accept slow help, and cut loose one strand at a time.


Short reads from the blog. A changing line is a line that may shift as a situation moves.

If you would like to browse all 64 hexagrams, visit All 64 Hexagrams.

If you would like to learn about static hexagrams and the interpretation rules for changing lines within I-Ching, please visit our general guide: Understanding Changing & Static Lines.

How to use this page. Read the figure, then the judgement, then the lines in order. A reading ends with an observation about yourself — never with a verdict about what will happen.